Diego Rivera

Mexican, 1886-1957
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Diego Rivera oil paintings
Diego Rivera : Self-Portrait Dedicated to Irene Rich,Autorretrato dedicado a Irene Rich
1941, oil on canvas, Smith College Museum of Art, Northampton, Massachusetts
Diego Rivera : Pre-Hispanic America,Book cover for Pablo Neruda's,Canto General
1950, oil on canvas, Collection of the Estate of Licio Lagos, Mexico City
Diego Rivera : Portrait of Lupe Marin,Retrato de Lupe Marin
1938, oil on canvas, Museo de Arte Moderno, Mexico City
Diego Rivera : Portrait of Natasha Zakolkowa Gelman,Retrato de Natasha Zakolkowa Gelman
1943, oil on canvas, Jacques and Natasha Gelman Collection, Mexico City
Diego Rivera : View of Toledo,Vista de Toledo
1912, oil on canvas, Fundacion Amparo R. de Espinosa Yglesias, Puebla
Diego Rivera : Zapatista Landscape, The Guerrilla,Paisaje zapatista, El guerrillero
1915, oil on canvas, Museo Nacional de Arte, Mexico City.
Diego Rivera : Motherhood, Angelina and the Child Diego,Maternidad, Angelina y el nino Diego
oil on canvas, Museo de Arte Alvar y Carmen T. de Carrillo Gil, Mexico City
Diego Rivera : The Arsenal, Frida Kahlo Distributes Arms
1928, fresco, Ministry of Education, Mexico City.
Diego Rivera : Flower Festival,Festival de las flores
1925, oil on canvas, Los Angeles County Museum of Art.
Diego Rivera : Nude with Calla Lilies,Desnudo con alcatraces
1944, oil on hardboard, Emilia Gussy de Galvez collection, Mexico City
Diego Rivera : Portrait of Modesta and Inesita,Retratos de Modesta e Inesita
1939, oil on canvas, Collection of the Estate of Licio Lagos, Mexico City
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Artist photo
Diego Rivera was a Mexican painter who produced murals on social themes. He was born in Guanajuato and educated in Mexico City. He studied painting in Europe between 1907 and 1921. Rivera returned to Mexico in 1921 and became prominent in the country's revival of mural painting. Believing art should serve working people and be readily available to them, he concentrated on creating large frescoes portraying the history and social problems of Mexico. He painted them on the walls of public buildings, including the National Palace in Mexico City (1929) and the Palace of Cortes in Cuernavaca (1930). Greatly influenced by indigenous Mexican art, Rivera's murals are simple and bold and, as social comment, have aroused much controversy among political and religious groups in both the United States and Mexico.

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