Giovanni Di Paolo

Italy, 1403 - 1482
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Giovanni Di Paolo oil paintings
Giovanni Di Paolo : Nativity
Nativity, Approx. 1440-45, Tempera on panel, Vatican Picture Gallery
Giovanni Di Paolo : The Virgin and Child
The Virgin and Child, Approx. 1436-40, Tempera on wood panel, Vatican Picture Gallery
Giovanni Di Paolo : The Archangel Michael
The Archangel Michael, Approx. 1436-40, Tempera on wood panel, Vatican Picture Gallery
Giovanni Di Paolo : The Agony in the Garden
The Agony in the Garden, 1445, Tempera on wood panel, Vatican Picture Gallery
Giovanni Di Paolo : The Lamentation
The Lamentation, 1445, Tempera on wood panel, Vatican Picture Gallery
Giovanni Di Paolo : The Annunciation
The Annunciation, 1445, Tempera on wood panel, Vatican Picture Gallery
Giovanni Di Paolo : St. John the Baptist Retiring to the Desert
St. John the Baptist Retiring to the Desert, 1453, Tempera on panel, National Gallery, London
Giovanni Di Paolo : The Feast of Herod
The Feast of Herod, 1453, Tempera on panel, National Gallery, London
Giovanni Di Paolo : Saint John the Baptist Entering the Wilderness
Saint John the Baptist Entering the Wilderness, 1455-60, Tempera on panel, Art Institute of Chicago
Giovanni Di Paolo : The Beheading of St. John the Baptist
The Beheading of St. John the Baptist, 1455-60, Tempera on panel, Art Institute of Chicago
Giovanni Di Paolo : St. Clare Rescuing the Shipwrecked
St. Clare Rescuing the Shipwrecked, 1455-1460, Gemaldegalerie, Berlin
Giovanni Di Paolo : St. Catherine before the Pope at Avignon
St. Catherine before the Pope at Avignon, 1460, Tempera on panel, Museo Thyssen-Bornemisza, Madrid
Giovanni Di Paolo : St. Jerome Appearing to St. Augustine
St. Jerome Appearing to St. Augustine, 1465, Gemaldegalerie, Berlin.
Giovanni Di Paolo : Madonna with the Child
canvas painting 39141-Madonna with the Child.jpg
Giovanni Di Paolo : Nativity II
canvas painting 39142-Nativity.jpg
Giovanni Di Paolo : St Ansanus Baptizing
canvas painting 39143-St Ansanus Baptizing.jpg
Giovanni Di Paolo : The Creation and the Expulsion from the Paradise
canvas painting 39144-The Creation and the Expulsion from the Paradise.jpg
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Biography
Artist photo
Painter whose religious paintings maintained the mystical intensity and conservative style of Gothic decorative painting against the trend, progressively dominant in the art of 15th-century Tuscany, toward scientific naturalism and classical humanism. One of the last practitioners of the tradition of medieval painting, he did little to influence the course of art over the four centuries after his death. In the 20th century, however, his tense, often highly dramatic works aroused increasing interest. Giovanni probably was a pupil of the painter Taddeo di Bartolo, whose style is reflected in his earliest dated work, the Madonna and Child with Angels (1426). In that year Giovanni fell under the influence of the decorative and courtly paintings of Gentile da Fabriano, as can be seen in Giovanni's Madonna of 1427. During the 1440s and early 1450s Giovanni produced his most important works, including the monumental altarpiece of the Presentation of Christ in the Temple (1447-49) and six scenes from The Life of St. John the Baptist. The brooding Madonna altarpiece of 1463 in the Pienza Cathedral marks the beginning of Giovanni's late period. Giovanni never left his native Siena, and his work reveals his persistent disdain of Tuscany's progressive painters. Hewas long considered an inferior artist; his tormented spirituality and expressionist style were little appreciated before about 1920, but from that time his nervous draftsmanship and expressive distortions were consideredto have heralded 16th-century Mannerist art and the paintingof 20th-century Expressionism. Not only the colouristically and formally attractive figures and landscapes of the painter's early and middle periods but also the harsh, ugly forms of the 1460s and especially the 1470s are of interest, as they illustrate the artist's changing vision of the world during the course of his development.

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