Le Nain Brothers

French
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Le Nain Brothers oil paintings
Le Nain Brothers : The Adoration of the Shepherds
The Adoration of the Shepherds, 1630-1632, Oil on canvas, Musee du Louvre, Paris
Le Nain Brothers : Four Figures at a Table
Four Figures at a Table, 1630-39, Oil on canvas, National Gallery, London.
Le Nain Brothers : The Pilgrims at Emmaus
The Pilgrims at Emmaus, Oil on canvas, Musee du Louvre, Paris
Le Nain Brothers : Landscape with Peasants
Landscape with Peasants, 1640, Oil on canvas, National Gallery of Art, Washington D.C.
Le Nain Brothers : The Milkmaid s Family
The Milkmaid's Family, 1640s, Oil on canvas, The Hermitage, St. Petersburg.
Le Nain Brothers : Peasants in a Tavern
Peasants in a Tavern, 1640s, Oil on canvas, The Hermitage, St. Petersburg
Le Nain Brothers : A Visit to Grandmother
A Visit to Grandmother, 1640s, Oil on canvas, The Hermitage, St. Petersburg
Le Nain Brothers : Peasants in a Landscape
Peasants in a Landscape, 1640-45, Oil on canvas, Wadsworth Atheneum, Hartford, CT.
Le Nain Brothers : The Return from Haymaking
The Return from Haymaking, 1641, Oil on canvas, Musee du Louvre, Paris
Le Nain Brothers : Peasant Family in an Interior
Peasant Family in an Interior, Oil on canvas, Musee du Louvre, Paris
Le Nain Brothers : Peasant Meal
Peasant Meal, 1642, Oil on canvas, Musee du Louvre, Paris
Le Nain Brothers : The Guard Room
The Guard Room, 1643, Oil on canvas, Musee du Louvre, Paris
Le Nain Brothers : A French Interior
A French Interior, 1645, Oil on canvas, National Gallery of Art, Washington D.C
Le Nain Brothers : The Young Card Players
The Young Card Players, 1650, British Royal Collection
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Biography
Artist photo
Antoine: approx. 1588, Laon, Fr. died May 25, 1648, Paris Louis: approx. 1593, Laon died May 23, 1648, Mathieu: Paris; b. 1607, April 20, 1677, Paris Three brothers whose paintings of peasant life have a realism unique in 17th-century French art. By 1630 they had established a common workshop in Paris. They remained unmarried and are traditionally said to have worked in harmony, often collaborating on the same picture. In 1648 all were received into the newly founded French Academy. Evaluation of the three personalities early in the 20th century was therefore based on what was traditionally known of each brother and on the dubious establishment of three stylistic groups. Art scholars today no longer try to attribute individual works, and the three brothers are treatedas a single artist. Their portraits of peasants and beggars remain their most important works. Their domestic scenes of peasant life depict humble people with human dignity, with a classical composure that is characteristically French. Mathieu became an official painter to the city of Paris (1633) and was made a chevalier. He excelled in large compositions and in portraiture. His career was prosperous, and, from the large number of portraits and religious works produced in his studio, he must have had several assistants.

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