Sir Edward Coley Burne-Jones

English, 1833-1898
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Sir Edward Coley Burne-Jones oil paintings
Sir Edward Coley Burne-Jones : The Wheel of Fortune
1875-83, oil on canvas, Musee d'Orsay at Paris
Sir Edward Coley Burne-Jones : The Wedding of Sir Tristram
1862, stained glass designed by Burne-Jones for the music room at Harden Grange, Bingley
Sir Edward Coley Burne-Jones : The Angel
1881, oil on panel, Glasgow Art Gallery and Museum
Sir Edward Coley Burne-Jones : The Princess Sabra Led to the Dragon
1866, oil, private collection
Sir Edward Coley Burne-Jones : Spring
1869-70, gouache, private collection
Sir Edward Coley Burne-Jones : Autumn
1869-70, gouache, private collection
Sir Edward Coley Burne-Jones : Day
1870, watercolor and gouache, Fogg Art Museum at Harvard University
Sir Edward Coley Burne-Jones : Night
1870, watercolor and gouache, Fogg Art Museum at Harvard University
Sir Edward Coley Burne-Jones : Portrait of Maria Zambaco
1870, gouache, Clemens-Sels-Museum, Neuss
Sir Edward Coley Burne-Jones : Temperantia
1872, watercolor, private collection
Sir Edward Coley Burne-Jones : Pan and Psyche
1872-74, oil, The Fogg Art Museum at Harvard University
Sir Edward Coley Burne-Jones : The Beguiling of Merlin
1874, oil, Lady Lever Art Gallery
Sir Edward Coley Burne-Jones : The Mirror of Venus
1870-76, oil, Calouste Gulbenkian Foundation, Lisbon
Sir Edward Coley Burne-Jones : The Annunciation
1879, oil, Lady Lever Art Gallery
Sir Edward Coley Burne-Jones : The Depths of the Sea
1887, watercolor and gouache, Fogg Art Museum at Harvard University
Sir Edward Coley Burne-Jones : The Arming of Perseus
unfinished, 1885, oil, private collection
Sir Edward Coley Burne-Jones : The Rock of Doom
1885-88, oil, Staatsgalerie, Stuttgart
Sir Edward Coley Burne-Jones : The Baleful Head
1886-87, oil, Staatsgalerie, Stuttgart
Sir Edward Coley Burne-Jones : The Briar Rose, The Prince Enters the Briar Wood
1870-90, oil, Faringdon Collection, Berkshire
Sir Edward Coley Burne-Jones : The Star of Bethlehem
1888-91, watercolor, oil, tempera and gouache on paper laid onto canvas, Birmingham Museums and Art Gallery
Sir Edward Coley Burne-Jones : Sponsa de Libano (The Bride of Lebanon)
1891, watercolor, tempera and gouache, Walker Art Gallery, Liverpool
Sir Edward Coley Burne-Jones : Love Among the Ruins
1894, oil, National Trust: Wightwick Manor, Wolverhampton
Sir Edward Coley Burne-Jones : The Prioress' Tale
gouache on paper, Delaware Art Museum
Sir Edward Coley Burne-Jones : The Golden Stairs
1872-80, oil, Tate Gallery at London
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Biography
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Sir Edward Coley Burne-Jones, 1st Baronet, A.R.A. (28 August 1833 - 17 June 1898) was a British artist and designer closely associated with the later phase of the Pre-Raphaelite movement, who worked closely with William Morris on a wide range of decorative arts as a founding partner in Morris, Marshall, Faulkner, and Company. Burne-Jones was closely involved in the rejuvenation of the tradition of stained glass art in Britain; his stained glass works include the windows of St. Philip's Cathedral, Birmingham, Holy Trinity Church, Sloane Square, Chelsea, St Martin's Church in Brampton, St Michael's Church, Brighton, Cumbria, the church designed by Philip Webb, All Saints, Jesus Lane, Cambridge, Christ Church, Oxford and in St. Anne's Church, Brown Edge, Staffordshire Moorlands. Burne-Jones's early paintings show the heavy inspiration of Dante Gabriel Rossetti, but by the 1860s Burne-Jones was discovering his own artistic "voice". In 1877, he was persuaded to show eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included The Beguiling of Merlin. The timing was right, and he was taken up as a herald and star of the new Aesthetic Movement.

In addition to painting and stained glass, Burne-Jones worked in a variety of crafts; including designing ceramic tiles, jewellery, tapestries, mosaics and book illustration, most famously designing woodcuts for the Kelmscott Press's Chaucer in 1896.



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